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Unfortunately, this outfit is only visible for a few minutes in the program (unless there's more I haven't seen; TVD lovers, do you know?) yet there aren't many photographs of it circulating around. But there are enough for me to plan out how I want to approach it. My costume will be made up of three pieces: a skirt, a bodice, and an apron. All three pieces are finished with what seem to be ruched and pressed strips of the same fabric, as well as little beads or pearls and lace in a somewhat brighter shade of green. I purchased my lace from Etsy, but it won't come for a few weeks, so I'll complete the bodice and skirt construction in the meanwhile. I have just under ten yards of green taffeta, the most of which will go into the skirt and those pleats (which, to be honest, I'm not looking forward to!)
The show's goal was not to provide a historically accurate narrative. Mirojnick agrees that certain 1810s outfits "translate nicely" for 2020 audiences, while the others were updated for the presentation. "We've upped the quantity of glitter, the amount of color, and the amount of over-embellishment." We've done things that are a little more relevant to today's viewpoint. The show's varied ensemble also adds to its modernity and relatability, putting representation in a genre that has previously been whitewashed. Black performers portray royalty such as Queen Charlotte (Golda Rosheuvel), the Duke of Hastings (Reg-Jean Page), and Lady Danbury (Adjoa Andoh), as well as members of the ensemble. In terms of hairstyles, several performers sported natural Black haircuts with their Regency clothes. The costume department collaborated with the hair and cosmetics crews to make these haircuts look their best on film.
